Audio & Acoustics
We don't aim a PA at a crowd — we tune a room to a coverage map and hold it flat seat to seat.
We model the room before the build, fly the array to the prediction, and tune it flat with measurement in hand. Coverage and SPL are designed targets, not happy accidents — and the playback is locked to the show clock.
Reference-grade, not a fixed rental list.
PA
- Line-array mains
- Cardioid / end-fire sub arrays
- Point-source fills
- Delay towers
- Front-fills
Monitoring
- Wedge packages
- IEM (in-ear) packages
- RF-coordinated wireless mic + IEM
- Spectrum management
Consoles & I/O
- DiGiCo
- Avid S6L
- Allen & Heath
- Yamaha
- Networked stage boxes
Transport
| Networks | Dante / MADI / Optocore / AVB |
|---|---|
| Redundancy | Redundant primary / secondary |
Tuning & processing
- Lake / Galileo system processing
- Smaart-based measurement
- Coverage + SPL prediction modeling
5 component classes. Expand for the spec sheet.
Line-Array MainsFlown main hangs tuned to a modeled coverage map.
The primary left/right hangs, flown to a prediction and tuned flat with measurement on site. Box count and splay come from the coverage model, not a guess.
- Flown mains
- Predicted coverage
- Three-way
| Format | Three-way active line-array elements |
|---|---|
| Coverage | Modeled per venue, SPL + map verified |
| Processing | Lake / Galileo system processing |
| Transport | Dante / MADI / Optocore / AVB |
| Measurement | Smaart-based tuning on site |
Subwoofer ArrayCardioid / end-fire low end with controlled spill.
Ground-stacked or flown subs arrayed cardioid or end-fire to put the low end on the audience and keep it off the stage and the neighbors.
- Cardioid
- End-fire
- Directional
| Configuration | Cardioid / end-fire / gradient |
|---|---|
| Deployment | Ground-stacked or flown |
| Alignment | Time-aligned to mains |
| Control | Zoned via system processor |
Monitoring — Wedge + IEMStage wedges and RF-coordinated in-ear monitoring.
Wedge and in-ear monitor packages with a coordinated RF plan — wireless mics and IEMs spectrum-managed so nothing drops on the downbeat.
- Wedge
- IEM
- RF-coordinated
| Wedges | Coaxial stage monitors, dedicated mixes |
|---|---|
| IEM | Stereo in-ear, bodypack + antenna distro |
| RF | Coordinated spectrum, walk-tested |
| Mixing | Dedicated monitor console |
FOH / Monitor ConsoleNetworked digital desk with redundant I/O.
Front-of-house and monitor desks (DiGiCo / Avid S6L / Allen & Heath / Yamaha) on networked stage boxes, with redundant transport and show-clock-locked playback.
- DiGiCo
- Avid S6L
- Redundant I/O
| Surfaces | DiGiCo / Avid S6L / A&H / Yamaha |
|---|---|
| I/O | Networked stage boxes, redundant |
| Playback | Timecode-triggered, show-clock-locked |
| Transport | Dante / MADI / Optocore |
System Processor & MeasurementDSP, prediction modeling, and on-site measurement.
The tuning brain: Lake/Galileo processing, prediction modeling for coverage and SPL pre-build, and Smaart measurement to hold the room flat seat to seat.
- Lake / Galileo
- Smaart
- Prediction
| Processing | Lake / Galileo, redundant DSP |
|---|---|
| Prediction | Coverage + SPL maps pre-build |
| Measurement | Smaart dual-FFT, multi-mic |
| Redundancy | Show-critical path duplicated |
What makes it frame-accurate.
- Show-clock-locked playback; timecode-triggered cues.
- Coverage and SPL maps modeled pre-build, verified with measurement on site.
- Redundant DSP on the show-critical path.
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